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Category: 3D

The Universe Answers ANIMATIONWorld

‘Elio’: A Challenging Outer Space Tale Finds its Way Home

By Dan Sarto | Friday, January 16, 2026 at 1:43pm

Directors Madeline Sharafian and Domee Shi discuss the Pixar sci-fi adventure’s circuitous route to the screen - including creative leadership changes, an actors’ strike, key story shifts and a condensed production schedule - via a path that has led to multiple Annie, VES, PGA and Critics Choice Awards nominations.

Dare to be bad! ANIMATIONWorld

‘The Bad Guys 2’: It’s Still Hard to be Bad at Being Good

Director Pierre Perifel, co-director JP Sans, and VFX supervisor Matt Baer discuss their animated comedy sequel, recently nominated for 5 Annies and 3 VES Awards, about our favorite now reformed animal felons getting hijacked into a huge heist by a new team of criminals.

Rinse Kill Repeat ANIMATIONWorld

The Studio Behind ‘All You Need is Kill’: the Eiko Tanaka Interview

As Studio 4°C’s time-looping adventure hits U.S. cinemas, Andrew Osmond talks to the studio’s CEO about four decades of animation.

Head Back to The Silk Road Headline News

Milo Productions’ Animated ‘Time Hoppers: The Silk Road’ to Hit U.S. Theatres

Fathom sets February 7-8 release of feature film adaptation of the ‘Time Hoppers’ mobile game and upcoming animated series on Muslim Kids TV.

Balancing Beauty and Horror VFXWorld

Guillermo del Toro Finds Beauty in the Grotesque with ‘Frankenstein’

The Oscar-winning filmmaker discusses his unique approach to visual design, color, and often delicate use of visual effects, where you shouldn’t use a shotgun to kill a fly, in his haunting new adaptation of Mary Shelley’s iconic 1818 novel, now streaming on Netflix.

Re-Experience the Crazy Adventure ANIMATIONWorld

‘Madagascar’ at 20: A Q&A with Tom McGrath and Eric Darnell

By Dan Sarto | Wednesday, January 14, 2026 at 6:00am

To mark the 20th anniversary of the first film in DreamWorks Animation’s storied franchise, the writers / directors revisit the film’s long development journey, discussing its core comedic premise, evolving themes, improvisational performances, and collaborative storytelling that turned a fish-out-of-water comedy into something truly memorable.

Cloudy with a Chance of Heavy Debris VFXWorld

What Happens Next? The Post-Impact World of ‘Greenland 2: Migration’

Writer/Director Ric Roman Waugh and VFX Supervisor Marc Massicotte discuss how they depict a shattered Earth’s damage, danger, and rebound from an extinction-level meteor strike, in Lionsgate’s ‘Greenland’ sequel, now in theaters.

Honoring Excellence in VFX Headline News

‘Avatar: Fire and Ash’ Leads VES Awards Nominations

By Dan Sarto | Tuesday, January 13, 2026 at 11:22am

James Cameron’s latest epic garnered 10 nominations, while ‘KPop Demon Hunters,’ ‘Elio,’ and ‘Zootopia 2’ each snagged 5, as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 25 at The Beverly Hilton Hotel in LA.

Awards Headline News

‘KPop Demon Hunters’ Takes Home 2 Golden Globes Awards

By Dan Sarto | Monday, January 12, 2026 at 7:50am

Netflix’s animated musical comedy about a girl group that balances pop stardom with battling supernatural demons won twice last night, for Best Motion Picture – Animated and Best Original Song – Motion Picture, at the Hollywood Foreign Press Association’s 83rd Annual awards.

Who Doesn’t Love a Goat Named Arthur? ANIMATIONWorld

Arturo Hernandez and Andrew Gordon Talk ‘Out of the Nest’

The director and co-director of the Thai-Chinese 3DCG adventure discuss the challenges – and subsequent fun - of jumping onto a project with much of the animation completed but a story, and production pipeline, which needed significant reworking.

Awards Headline News

Art Directors Guild Unveils 30th Annual ADG Award Nominations

By Dan Sarto | Thursday, January 8, 2026 at 5:14pm

‘Elio,’ ‘KPop Demon Hunters,’ ‘The SpongeBob Move: Search for SquarePants,’ ‘The Bad Guys 2,’ and ‘Zootopia 2’ among the nominees for excellence in production design, covering film / animated film, TV, commercials, and music videos; ceremony set for February 28.

Who Doesn’t Love a Goat Named Arthur? Headline News

Join Filmmakers at ‘Out of the Nest’ January 9 Screening and Pre-Reception

By Dan Sarto | Thursday, January 8, 2026 at 10:48am

Oscar winner and film EP Brandon Oldenburg to moderate Q&A at the AMC 16 in Burbank; Arturo Hernandez directs, and Andrew Gordon co-directs the 3DCG adventure from T&B Media Global, CCTV Animation, and Base FX.

More Aardman on the Horizon Headline News

GKIDS Acquires U.S. Rights to ‘Shaun the Sheep: The Beast of Mossy Bottom’

The upcoming stop-motion animated comedy from Aardman and STUDIOCANAL marks the feature directorial debut of Steve Cox and Matthew Walker; starring Justin Fletcher, John Sparkes, and Kate Harbour, film slated for theatrical release by Halloween 2026.

AI in VFX VFXWorld

How AI is Rewriting VFX Pipelines

Animated Company founder and CEO Douglas McGinness III examines how AI tools are reshaping traditional visual effects workflows, from concept design and previs through roto, matchmove, and final delivery, while raising critical questions about authorship, copyright, and the preservation of storytelling craft.

Re-Experience the Adventure Headline News

DreamWorks Animation’s ‘Madagascar’ Heading Back to Theaters

The hit animated comedy, directed by Eric Darnell and Tom McGrath and starring the voices of Ben Stiller, Chris Rock, Jada Pinkett-Smith and David Schwimmer, celebrates its 20th anniversary with a nationwide U.S. cinema re-release on January 16.

Don’t You Wish… ANIMATIONWorld

Re-VIEW: ‘In Your Dreams’ – Learning to Face the Unknown

Alex Woo’s colorful and vibrant animated adventure features a young girl trying to get the Sandman to fix her parents’ fraying marriage, only to conjure up the fearful reality she’s trying to avoid – a broken family; now streaming on Netflix.

It’s Anime-zing! Headline News

Netflix Drops ‘Cosmic Princess Kaguya!’ Final Trailer

The music-driven anime feature, which follows a 17-year-old high school student who leads a busy life trying to balance part-time work and academics, streams January 22.

Year in Review Headline News

Image Engine Shares Look Back at 2025 Project Highlights

Last year, the VFX company’s artists and production teams delivered outstanding work across a wide range of shows, including ‘The Gorge,’ ‘The Old Guard 2,’ ‘Tron: Ares,’ and ‘Percy Jackson and the Olympians’ Season 2.

It’s Anime-zing! Headline News

Kitten Illustrator Juno’s ‘mofusand’ Anime Adaptation to Premiere on YouTube

The beloved artist’s series of shorts stars Shark Meow, a fluffy cat in a shark costume; debuts January 7, with Episode 1 now streaming.

Awards Headline News

‘KPop Demon Hunters,’ ‘Avatar: Fire and Ash’ Win Critics Choice Awards

By Dan Sarto | Monday, January 5, 2026 at 11:54am

The Best Animated Feature and Best Visual Effects winners were joined by ‘South Park’ and ‘Frankenstein’ in the Best Animated Series and Best Production Design categories at the January 4 ceremony.

The Annies are Coming! Headline News

53rd Annual Annie Awards Nominations Announced

By Dan Sarto | Monday, January 5, 2026 at 10:55am

Best Animated Feature nominees ‘Elio,’ ‘Little Amélie or the Character of Rain,’ ‘KPop Demon Hunters,’ ‘The Bad Guys 2,’ and ‘Zootopia 2’ top the expansive list of category nominations; animation’s biggest awards ceremony is scheduled to return live on Saturday, February 21 at UCLA’s Royce Hall

Some Marvel-ous News! Headline News

Marvel Drops ‘Wonder Man’ Trailer #2

By Dan Sarto | Friday, January 2, 2026 at 2:21pm

Streaming January 27 on Disney+, the new series, a satirical, tongue-in-cheek show about a famous superhero movie remake by a famous director, with 2 actors doggedly pursuing roles, stars Yahya Abdul-Mateen II and Sir Ben Kingsley

It’s Got a Dutchman Who Flies! ANIMATIONWorld

Reel FX Talks ‘The SpongeBob Movie: Search for SquarePants’

The leading animation studio translated the iconic property’s 2D origins into a fully realized 3DCG feature, exploring character deformation, lightweight rigs, and Houdini-driven workflows, balancing between stylization and realism for a look that still feels unmistakably SpongeBob.

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