The 3DCG film, which follows David’s journey from humble shepherd to his clash with Goliath and anointing as king, features immersive animation and an original soundtrack featuring Phil Wickham.
A new key visual has been revealed, alongside additional cast and theme songs artists, for the upcoming show; will also broadcast on Tokyo MX and BS Nippon.
From creature work to seamless environmental and combat enhancements, the studio elevates the dark fantasy with a blend of intricate close-up visual effects and invisible world-building.
Oscar nominees named yesterday morning for Best Visual Effects share their reactions to the great news.
The iconic horned villain returns in the new animated series, which features the voices of Sam Witwer, Gideon Adlon, and Wagner Moura; premieres April 6.
The 2D animated series, which follows JJ and his friends as they team up for whimsical sing-alongs, silly moments, and playdates, hits YouTube on January 24.
By the Power of Grayskull, there’s a new He-Man on the horizon in the live-action fantasy adventure about 10-year-old Prince Adam re-uniting with his magical Sword of Power, then heading home to save Eternia; from Mattel Films and Amazon MGM Studios, in theaters June 5.
Columnist Andrew Osmond assesses the new film, now streaming on Crunchyroll, and backlist by one of anime’s most prolific writers.
The upcoming season of the hit animated series from Skybound Entertainment, featuring new villains Thragg, Dinosaurus and Universa, premieres March 18.
Studio teams in London and Montreal worked closely with production VFX supervisors Richard Reed and Sara Bennett to craft terrifying creatures, spectacular battles, and complex magic on the hit Netflix show’s latest season.
The fast-paced, surreal animated musical explainer inspired by ‘Schoolhouse Rock’ is now available; new shorts will release monthly in the lead-up to the 2026 midterms.
Watch the VFX breakdown reel; the studio delivered around 200 shots, approximately 80 featuring the Jalowick, a hybrid creature created using a combination of prosthetics, performance elements, CG limbs, and partial body augmentation.
The studio delivered 113 shots across 7 episodes, including vast environments, adrenaline-charged action, and visceral fire-driven sequences that were created via a broad range of visual effects techniques.
Harmony Korine’s first anime-inspired webcomic project explores a hidden world beneath the sea and features a mixed-media production process that incorporates CG tools and animated panels.
VFX breakdown reel highlight the studio’s work on the Paramount sci-fi adventure, which required traditional matte paintings and a complete reimagining of the Boston skyline; a 2.5D approach was taken for a car chase that combined a real location with greenscreen footage.
The interactive ‘Tiny Chef: Cooking with Fwends’ invites players to cook alongside the diminutive gourmand and friends using full-body movement in playful culinary challenges.
The director of the anime feature based on Hiroshi Sakurazaka’s sci-fi novel, previously adapted in the Tom Cruise thriller ‘Edge of Tomorrow,’ discusses unconventional, exaggerated character designs and beautiful, vibrant colors that depict some less than friendly plants; from GKIDS, hits U.S. theaters today, January 16.
Directors Madeline Sharafian and Domee Shi discuss the Pixar sci-fi adventure’s circuitous route to the screen - including creative leadership changes, an actors’ strike, key story shifts and a condensed production schedule - via a path that has led to multiple Annie, VES, PGA and Critics Choice Awards nominations.
Director Pierre Perifel, co-director JP Sans, and VFX supervisor Matt Baer discuss their animated comedy sequel, recently nominated for 5 Annies and 3 VES Awards, about our favorite now reformed animal felons getting hijacked into a huge heist by a new team of criminals.
New 8-episode season, set in 1994, sees Ted and his best friend John as seniors in high school; the hybrid live-action / CG series from Seth MacFarlane streams March 5.
Fathom sets February 7-8 release of feature film adaptation of the ‘Time Hoppers’ mobile game and upcoming animated series on Muslim Kids TV.
The Oscar-winning filmmaker discusses his unique approach to visual design, color, and often delicate use of visual effects, where you shouldn’t use a shotgun to kill a fly, in his haunting new adaptation of Mary Shelley’s iconic 1818 novel, now streaming on Netflix.
To mark the 20th anniversary of the first film in DreamWorks Animation’s storied franchise, the writers / directors revisit the film’s long development journey, discussing its core comedic premise, evolving themes, improvisational performances, and collaborative storytelling that turned a fish-out-of-water comedy into something truly memorable.
Writer/Director Ric Roman Waugh and VFX Supervisor Marc Massicotte discuss how they depict a shattered Earth’s damage, danger, and rebound from an extinction-level meteor strike, in Lionsgate’s ‘Greenland’ sequel, now in theaters.
Show creator and EP, former Super Bowl champion Martellus Bennett, and EP Jeff “Swampy” Marsh discuss their unique creative partnership on the whimsical and music filled series about an imaginative young girl and her stuffed bunny sidekick, based on the NFL star’s children’s books; kicks off January 13 on Disney Jr., next day on Disney+.
