‘We’re Kinda Different,’ ‘What We Leave Behind,’ ‘Gauze,’ and ’18 Months’ also notch wins; Willie Ito receives the Lifetime Achievement Award; awards ceremony set for September 21 - screenings begin September 18, while conference runs September 20-21.
Submissions must be received by September 26; submissions are accepted through November 7 for an extra fee; festival runs December 6-7.
Entries will be accepted through October 31, 2025 for projects released between January 1 and December 31, 2025; the awards gala is set for February 26, 2026.
From 2,479 submissions, 62 have been chosen for the Short Film (international/Japan/Student/Music) competition, while 8 works were chosen from 172 submissions for the 30 Seconds Animation competition; festival runs November 21 -25.
The Stuttgart International Festival of Animated Film has begun accepting film submissions - the deadline for the short film competition is November 15, 2025; the deadline for the feature-length film competition is January 15, 2026.
The festival returns to Ottawa September 24-28 featuring interactive artist talks, workshops and meetings with schools and recruiters; TAC takes place during the festival and offers industry professionals networking opportunities.
Festival screenings begin September 18 with Kid Koala’s ‘Space Cadet;’ conference, which runs September 20-21, will open with a Brad Bird talk; presentations on the making of ‘KPop Demon Hunters,’ Pixar Animation’s ‘Elio,’ the adaptation of Roald Dahl’s ‘The Twits,’ and ‘In Your Dreams’ are scheduled.
‘ChaO,’ ‘Death Does Not Exist,’ and ‘Olivia and the Invisible Earthquake,’ each an award winner at this summer’s Annecy Festival, lead the set of films in competition; festival runs September 24-28.
4 shorts in competition by Alex Boya, Matea Radic, Abbey Collings and the duo of Chris Lavis and Maciek Szczerbowski lead the expansive slate that includes a special screening of Donald McWilliams’ ‘A Return to Memory;’ festival runs September 24–28.
All 3 shows take home 2 awards in the animation and VFX categories; ‘The Penguin’ wins for Special Visual Effects in a Single Episode at the awards ceremonies held over two days this weekend at the Peacock Theater in LA.
‘Juliet & the King’ received the festival’s Streamtacular Award; ‘Flow’ was honored with the Best Film Award; the short ‘Sweeter Is the Night’ earned three honors, including Best Director and Best Short Film.
The September 7 event, featuring Netflix’s ‘Love on the Spectrum’ star Dani Bowman, will spotlight stand-up comedians alongside live musical and improv performances, plus a documentary short film premiere.
The 2-time Oscar nominee’s ‘Good Luck to You All’ world premiere tops the Board’s slate of animation in competition at the festival, which runs September 18–28.
OIAF 2025 will help seal the Honmoon with a special screening of the hugely successful Netflix musical adventure, with directors Maggie Kang and Chris Appelhans on-hand to discuss; Kevin Gillis will talk all things ‘The Raccoons’ at the Animation Exposé.
‘Phineas and Ferb’ co-creators Dan Povenmire and Jeff ‘Swampy’ Marsh, along with ‘KPop Demon Hunters’ writers/directors Maggie Kang and Chris Appelhans will be honored at the festival, which runs September 25-27; the 3-day event features screenings, panel discussions, and presentations from SCAD Alumni students, alumni and industry creatives.
The companies demonstrated high-fidelity character performances using state-of-the-art automated lip-sync within a non-linear animation workflow at last week’s Unreal Fest Seoul.
Maggie Kang and Chris Appelhans, directors of the biggest Netflix film ever, plus VFX supervisors Ryan Tudhope and Daniele Bigi, will present their films in-person at the upcoming conference that runs October 12-17 in Turin, Italy.
The immersive XR work by Rose Bond explores the transformative power of protest through allusions to 1968.
Animator Aaron Augenblick led a nostalgic dive into Fleischer Studios and brothers Max and Dave’s history with a screening of restored ‘Koko the Clown’ cartoons and a lively discussion on New York’s gritty animation roots with Stephen DeStefano, Mark Newgarden, and J.J. Sedelmaier.
From ghost stories and family curses to intergalactic misfits and urban rabbits, WIA’s 2025 animation creators’ cohort features 5 bold new projects from women across the globe, each exploring identity, legacy, and self-discovery in imaginative, culturally rich worlds.
Teasers for ‘Blue Eye Samurai’ Season 2, ‘Tom Clancy's Splinter Cell: Deathwatch,’ ‘Devil May Cry’ Season 2, and others were revealed at Anime NYC 2025.
Anime columnist Andrew Osmond profiles the great artist, famed for ‘Galaxy Express 999,’ ‘Captain Harlock’ and ‘Space Battleship Yamato,’ and offers a glimpse of what’s on show.
The death of the independent animation deal, and what to do about it.
The Oscar-winning VFX supervisor and a team from Pro Machina will discuss their miniature work on the Excelsior retro rocketship; Emmy winner Alex Woo will present his upcoming 3DCG feature, ‘In Your Dreams,’ that hits Netflix November 14; conference runs October 12-17 in Turin, Italy.
New preschool series, specials, and castings expand the worlds of network’s Disney, Marvel, Lucasfilm, and Pixar franchises, including ‘Cars: Lightning Racers,’ ‘Marvel’s Avengers: Mightiest Friends,’ and ‘Star Wars: Young Jedi Adventures.’
