Dana Murray wins for outstanding producer of animated theatrical motion pictures; ‘Queen’s Gambit’ wins in limited series TV category.
The one-hour special goes deep behind-the-scenes to see the Marvel show’s groundbreaking recreations of classic sitcoms and use of early TV filmmaking methods.
The VIEW Conference is the premiere international event in Italy on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming and VFX.
Online platform for VFX industry to feature eight streams with programs on the creative teams behind popular productions such as ‘The Monster Hunter,’ ‘Bridgeton,’ ‘The Expanse,’ and ‘The Umbrella Academy;’ streams will also include VFX sessions on Reel-Time, AI, and the latest technologies for the visual effects community.
With their new Toronto virtual production stage up and running, the studio has released a quick and entertaining guide to illustrate some virtual production basics.
The company’s cloud-based platform assists animation production for long-form 3D and 2D digital formats in which tasks, tools, and production assets are distributed to crewmembers and stakeholders around the world.
High performance technology will include remote access to Cloud Access Software for Macs with PCoIP Ultra performance.
Award-winning visual artist to oversee technical and creative development of the studio’s extensive virtual production facilities, resources, and solutions.
Studio’s creative recreated the iconic street for David Fincher’s new Netflix biopic; archival footage, maps, and old photos, along with new imagery, were integrated to portray the famous boulevard as it was 80 years ago.
Jasmin Hasel promoted to executive producer, Europe, and Lauren McCallum appointed head of production, Europe; key appointments will focus on company’s growth in the European market and management of decentralized production pipeline.
Leading tech company’s findings, gathered from nearly 700 IT professionals, focus on lessons learned by organizations forced to face a ‘new normal’ amid the global pandemic.
Latest version of Kdan Mobile’s animation software, with updated editing interface, new drawing tools, and a larger work area, has been released.
With Nickelodeon’s help and support, creative team quickly shifted to a remote workflow, successfully working on various aspects of animation resulting in quality artwork and timely delivery of brand-new animated series.
‘Confidence and Getting your Voice Heard’ and ‘Impact and Building the Brand You’ are aimed at helping women in UK’s VFX and animation industry achieve their goals.
Wishful thinking is not a plan.
Make sure you understand and are compensated for what it actually costs to perform your job remotely.
15-year veteran joins leadership team in new B.C. division, bringing expertise in management and collaboration to studio’s growing network of work-from-home teams of artists.
With the addition of support for H.264 and AAC audio codecs, the indie version for solo artists now includes all file formats supported by commercial Nuke Studio; 3rd party OFX plug-ins are also now enabled.
Go behind-the-scenes of Makoto Shinkai’s critically-acclaimed anime, about a young boy who runs away from home and befriends an orphan girl who can manipulate weather, as the art director discusses environments and design.
Series will illustrate how creative studios, teams, and freelancers can leverage the cloud to enable remote setups, scale production pipelines, and empower artists.
Company focus for next year is on providing creators with production-ready features, workflows, and components, and changing their approach to how these new tools will be delivered.
Virtual digital event features speakers, keynotes and a glimpse of Adobes Creative Cloud’s latest innovations as well as professional networking and on-demand learning sessions.
Director Niki Caro walks through selected segments of the big-budget live-action remake, which will be available as a premium purchase starting September 4 on Disney+.
Supported by Post New York Alliance and NY State VFX/Animation tax credits, visual effects providers eye a post-COVID-19 comeback.
With extensive experience in design and project management, Ostwald will oversee production at the independent animation and VFX studio.
