The award-winning German visual effects studio showcases its work on Marvel's latest series, which stars Dominique Thorne as Riri Williams, a young, genius inventor whose iron suits rival the best in the MCU; now streaming on Disney+.
Teams across three countries finished the film starring Anthony Hopkins and Bill Skarsgård in four months, covering everything from digital doubles and CG environments to complex green screen and glass compositing.
Visual Effects Supervisor Jelmer Boskma and his team delivered 448 shots across 10 episodes, creating previs, techvis, alien environments, the titular security android, and a giant 2-headed centipede, on the hit Apple TV+ sci-fi comedy, now streaming, that just scored a Season 2 renewal.
The team created 256 shots, or 15 minutes of the film, which integrate the Smurfs into real-world settings, either using live-action plates or fully CG scenes.
The ‘Bridesmaids’ and ‘Wonder Woman 1984’ star joins the live-action project, from Mattel Films and Amazon MGM Studios and directed by LAIKA CEO Travis Knight, as the iconic mechanical warrior; hits theaters June 5, 2026.
The system augments traditional filmmaking with AI-assisted collaboration tools to create virtual shots and organize teams from pre-to-post.
The industry veterans’ experience and extensive connections will assist in building out a Los Angeles-based team as the studio continues to expand its global presence.
F-Bombs galore await DC fans… and we’re pointing a finger at Eagly! New episodes of the DC Studios and Warner Bros. Television series created by James Gunn and starring John Cena debut August 21.
The ‘Stranger Things’ creators are seeking an overall film and television agreement with the studio, focusing on tentpole films; will continue several projects in progress with Netflix.
The Oscar-winning VFX supervisor and a team from Pro Machina will discuss their miniature work on the Excelsior retro rocketship; Emmy winner Alex Woo will present his upcoming 3DCG feature, ‘In Your Dreams,’ that hits Netflix November 14; conference runs October 12-17 in Turin, Italy.
The Academy Foundation Board comprises 12 trustees who also serve as members of the Academy Board of Governors; casting director Kim Taylor-Coleman was elected Board president.
Using mocap, practical sets, and rigorous previs, VFX supervisor Jake Morrison helped director Jake Schrier create complex, multi-character action, stunts, and combat with authenticity and detail, using as much real footage as possible, in the latest Marvel Studios action adventure.
The visual effects studio’s team handled multiple digital matte paintings of snowy environment landscapes, added additional snow, provided screen replacements, and created the opening sequence with a fully CG TRAAM building, in just 4 weeks, on the HBO Max film.
The high-performance workstation provider will also be demonstrating a ‘Virtual Rage Room’ immersive, interactive experience that leverages markerless mocap tech and a 10-foot LED volume.
The first-of-its-kind technology enables artists to leverage Captury real-time markerless motion-capture technology alongside markered props for powerful versatility; demonstrations from August 11-14.
The open source framework for color management and image interchange across the entire motion picture production life cycle has been developed and maintained by the Academy for more than a decade.
The new, independent collective of visual experts specializes in the development and creation of high-end digital characters, supporting projects across film and episodic content, games, and virtual platforms.
The ‘Addams Family’-inspired series, which follows the angsty life of teenager Wednesday Addams, has split its highly anticipated Season 2 return: Part 1 premiered yesterday, August 6, with Part 2 set to debut September 3.
Set for August 12 at 5 pm PT, the intimate panel discussion will explore how Production VFX Supervisor Michael Ralla, ILM VFX Supervisor Nick Marshall, and Rising Sun Pictures VFX Supervisor Guido Wolter built a shared vision for the supernatural tale set in the 1930s Mississippi Delta.
The leading renderer adds AI tools, astronomically accurate night skies, plus over a dozen new features.
The hilarious new DreamWorks Animation comedy’s director and VFX supervisor will share an in-depth look at the creative process behind the production of their film, now showing in theaters; conference runs October 12-17 in Turin, Italy.
Revealing that the new season premieres December 10, the streamer also announced that Levi Chrisopulos and Olive Abercrombie join Season 3 as siblings Nico and Bianca di Angelo.
The Cleveland Institute of Art’s new Interactive Media Lab has Disney DNA.
New solutions aim to eliminate friction in deploying, managing, and scaling AI workloads from creative studios to data centers.
After a catastrophic water main break destroyed their offices and eventually closed the parent company, Assembly VFX artists banded together, and led by the division’s co-founder Dave Zeevalk and VP of Technology Luiz Garrido, launched a brand-new, fully operational visual effects business in just 10 days.
The award-winning German visual effects studio showcases its work on Marvel's latest series, which stars Dominique Thorne as Riri Williams, a young, genius inventor whose iron suits rival the best in the MCU; now streaming on Disney+.
Teams across three countries finished the film starring Anthony Hopkins and Bill Skarsgård in four months, covering everything from digital doubles and CG environments to complex green screen and glass compositing.
Visual Effects Supervisor Jelmer Boskma and his team delivered 448 shots across 10 episodes, creating previs, techvis, alien environments, the titular security android, and a giant 2-headed centipede, on the hit Apple TV+ sci-fi comedy, now streaming, that just scored a Season 2 renewal.
The team created 256 shots, or 15 minutes of the film, which integrate the Smurfs into real-world settings, either using live-action plates or fully CG scenes.
The ‘Bridesmaids’ and ‘Wonder Woman 1984’ star joins the live-action project, from Mattel Films and Amazon MGM Studios and directed by LAIKA CEO Travis Knight, as the iconic mechanical warrior; hits theaters June 5, 2026.
The system augments traditional filmmaking with AI-assisted collaboration tools to create virtual shots and organize teams from pre-to-post.
The industry veterans’ experience and extensive connections will assist in building out a Los Angeles-based team as the studio continues to expand its global presence.
F-Bombs galore await DC fans… and we’re pointing a finger at Eagly! New episodes of the DC Studios and Warner Bros. Television series created by James Gunn and starring John Cena debut August 21.
The ‘Stranger Things’ creators are seeking an overall film and television agreement with the studio, focusing on tentpole films; will continue several projects in progress with Netflix.
The Oscar-winning VFX supervisor and a team from Pro Machina will discuss their miniature work on the Excelsior retro rocketship; Emmy winner Alex Woo will present his upcoming 3DCG feature, ‘In Your Dreams,’ that hits Netflix November 14; conference runs October 12-17 in Turin, Italy.
The Academy Foundation Board comprises 12 trustees who also serve as members of the Academy Board of Governors; casting director Kim Taylor-Coleman was elected Board president.
Using mocap, practical sets, and rigorous previs, VFX supervisor Jake Morrison helped director Jake Schrier create complex, multi-character action, stunts, and combat with authenticity and detail, using as much real footage as possible, in the latest Marvel Studios action adventure.
The visual effects studio’s team handled multiple digital matte paintings of snowy environment landscapes, added additional snow, provided screen replacements, and created the opening sequence with a fully CG TRAAM building, in just 4 weeks, on the HBO Max film.
The high-performance workstation provider will also be demonstrating a ‘Virtual Rage Room’ immersive, interactive experience that leverages markerless mocap tech and a 10-foot LED volume.
The first-of-its-kind technology enables artists to leverage Captury real-time markerless motion-capture technology alongside markered props for powerful versatility; demonstrations from August 11-14.
The open source framework for color management and image interchange across the entire motion picture production life cycle has been developed and maintained by the Academy for more than a decade.
The new, independent collective of visual experts specializes in the development and creation of high-end digital characters, supporting projects across film and episodic content, games, and virtual platforms.
The ‘Addams Family’-inspired series, which follows the angsty life of teenager Wednesday Addams, has split its highly anticipated Season 2 return: Part 1 premiered yesterday, August 6, with Part 2 set to debut September 3.
Set for August 12 at 5 pm PT, the intimate panel discussion will explore how Production VFX Supervisor Michael Ralla, ILM VFX Supervisor Nick Marshall, and Rising Sun Pictures VFX Supervisor Guido Wolter built a shared vision for the supernatural tale set in the 1930s Mississippi Delta.
The leading renderer adds AI tools, astronomically accurate night skies, plus over a dozen new features.
The hilarious new DreamWorks Animation comedy’s director and VFX supervisor will share an in-depth look at the creative process behind the production of their film, now showing in theaters; conference runs October 12-17 in Turin, Italy.
Revealing that the new season premieres December 10, the streamer also announced that Levi Chrisopulos and Olive Abercrombie join Season 3 as siblings Nico and Bianca di Angelo.
The Cleveland Institute of Art’s new Interactive Media Lab has Disney DNA.
New solutions aim to eliminate friction in deploying, managing, and scaling AI workloads from creative studios to data centers.
After a catastrophic water main break destroyed their offices and eventually closed the parent company, Assembly VFX artists banded together, and led by the division’s co-founder Dave Zeevalk and VP of Technology Luiz Garrido, launched a brand-new, fully operational visual effects business in just 10 days.
