With ‘Star Trek: Scouts’ debuting today on YouTube, the famed franchise begins its rollout of all-new projects and activities celebrating ‘Space for Everybody’ that boldly hits warp speed this coming January.
All 3 shows take home 2 awards in the animation and VFX categories; ‘The Penguin’ wins for Special Visual Effects in a Single Episode at the awards ceremonies held over two days this weekend at the Peacock Theater in LA.
The VFX team crafted CG peepers for actors Benny Wong, Austin Abrams, and Alden Ehrenreich, and created previs that allowed safe ways for kids to perform stunts instead of using digital doubles.
The live-action videogame adaptation will be distributed as part of new global deal between Legendary and Paramount Pictures; hits theaters October 16, 2026.
Phoebe Waller-Bridge serves as creator, writer, executive producer, and co-showrunner on the Prime Video live-action project, which begins production January 19, 2026.
ILM’s 4-time Oscar-nominated production VFX supervisor Pablo Helman and VES Award-winning Framestore animation supervisor Dale Newton will dive deep into the visual effects of Jon M. Chu’s 2-part musical blockbuster that concludes this November; conference runs October 12-17 in Turin, Italy.
The companies will develop, produce, and distribute a live-action feature adaptation of the immensely popular first-person shooter videogame franchise.
Leading visualization studio launches new division to harness video-to-video AI tools for creator driven, cost-effective feature and episodic projects; shows in pre-production with the AI-tech company include ‘Cortés’ and ‘Space.’
The creative-tech collective’s latest finished projects include a ‘Blue Angels’ IMAX 3D conversion, a ‘Lilo & Stitch’ 3D reimagining, and the ‘Asteroid’ 8K HFR VFX experience.
Directed by Shawn Levy and starring Ryan Gosling, Flynn Gray, Aaron Pierre, Simon Bird, Jamael Westman, Daniel Ings, and Amy Adams, the upcoming standalone sci-fi adventure from Lucasfilm hits theaters May 28, 2027.
The leading visual effects company delivered environment extensions, full environment replacements, and crowd duplication… plus some CG animated golf balls, on Adam Sandler and Netflix’s hit comedy sequel to Sandler’s seminal 1996 hockey-golf romp, ‘Happy Gilmore.’
The exclusive online series, which features artist Lorin Wood, kicks off this September with live demos, lectures, and Q&As for artists worldwide.
Maggie Kang and Chris Appelhans, directors of the biggest Netflix film ever, plus VFX supervisors Ryan Tudhope and Daniele Bigi, will present their films in-person at the upcoming conference that runs October 12-17 in Turin, Italy.
The new DC Studios’ superhero film titles, which pay homage to the Greenberg Brothers’ 1978 ‘Superman’ opening titles, present an interplay of dynamic typography and volumetric light sequences that was achieved with analog and practical lighting techniques.
Veteran compositor Hank Chang explores the crucially important but low-profile world of invisible visual effects, where small digital changes elevate performances, smooth edits, and fix flaws that hopefully, the audience never sees.
2 new reels detail how the studio recreated Dream’s iconic throne room from Volume 1 and crafted the Volume 2 opening sequence on the Netflix fantasy series; the team created 72 shots, 38 sequences, 25 assets, and 29,720 frames.
We get a good glimpse of new cast member Justin Theroux in the role of the ruthless leader of New Vegas, Robert House, as well as the first glimpse of a Deathclaw; new season debuts December 17.
The award-winning German visual effects studio showcases its work on Marvel's latest series, which stars Dominique Thorne as Riri Williams, a young, genius inventor whose iron suits rival the best in the MCU; now streaming on Disney+.
Teams across three countries finished the film starring Anthony Hopkins and Bill Skarsgård in four months, covering everything from digital doubles and CG environments to complex green screen and glass compositing.
Visual Effects Supervisor Jelmer Boskma and his team delivered 448 shots across 10 episodes, creating previs, techvis, alien environments, the titular security android, and a giant 2-headed centipede, on the hit Apple TV+ sci-fi comedy, now streaming, that just scored a Season 2 renewal.
The team created 256 shots, or 15 minutes of the film, which integrate the Smurfs into real-world settings, either using live-action plates or fully CG scenes.
The ‘Bridesmaids’ and ‘Wonder Woman 1984’ star joins the live-action project, from Mattel Films and Amazon MGM Studios and directed by LAIKA CEO Travis Knight, as the iconic mechanical warrior; hits theaters June 5, 2026.
The system augments traditional filmmaking with AI-assisted collaboration tools to create virtual shots and organize teams from pre-to-post.
The industry veterans’ experience and extensive connections will assist in building out a Los Angeles-based team as the studio continues to expand its global presence.
F-Bombs galore await DC fans… and we’re pointing a finger at Eagly! New episodes of the DC Studios and Warner Bros. Television series created by James Gunn and starring John Cena debut August 21.
