The 10-episode outing of the sci-fi space series continues its alt-history story in a new decade on Mars… and the locals are not happy; premieres March 27.
Half measures are never an option for the prolific filmmaker, who shares insights into his expansive work on ‘Avatar: Fire and Ash,’ including the Ash Clan’s origins, Wind Traders mythology, Spider’s expanded arc, and collaboration between Wētā FX and ILM on 3,500 VFX shots for his second epic ‘Avatar’ sequel, which won a BAFTA yesterday and is nominated for multiple VES Awards and two Oscars.
UK boutique VFX studio names Putze VFX Supervisor and Epstein Associate VFX Supervisor as it continues to expands following its 2025 launch.
Guillermo del Toro’s ‘Frankenstein’ also nabs awards at yesterday’s 2026 EE British Academy Film Awards gala, along with ‘Boong’ and ‘Two Black Boys in Paradise.’
The show’s co-creator and co-showrunner reflects on 20 years of producing the Seth MacFarlane animated comedy, the previous 10 at TBS before the seemingly miraculous 4-season renewal that brought the prodigal son back to its Animation Domination home; Season 20 debuts this Sunday, February 22.
The leading 3D and 4D capture company has integrated DI4D’s facial imaging technology, introducing TopoTrack across its global infrastructure and appointing Dr. Colin Urquhart as Strategic Advisor.
Ceremony, scheduled for April 28 at the Academy Museum of Motion Pictures, celebrates individuals and companies whose discoveries and innovations have contributed in significant and lasting ways to the motion picture industry.
The South Korean ‘Armored Saurus’ remake blends live-action, CG animation and visual effects into a new series about a team of heroic teen pilots and their armored dinosaurs fighting to save humanity; debuts February 18 on Disney+.
Leading industry software developer completes deal for technology that helps users accelerate and expand secure, production-ready model integration across professional VFX and animation workflows.
We learn that it’s time for Grogu to strap in and save the snacks for after dinner; we’re one step closer to launch date for Jon Favreau’s new film, based on the hit Disney+ series 'The Mandalorian,' that blasts into theaters on May 22.
VFX Supervisor Sheldon Stopsack and Animation Supervisor Karl Rapley detail the expressive facial animation breakthroughs on the badass Predator Dek, the challenges of conveying his emotions, plus how they created lethal vegetation and a huge regenerating monster, on 20th Century Studios’ hit ‘Predator’ franchise outing, debuting today on Hulu and Hulu on Disney+.
Enjoy the breakdown reel - the film’s 3 above-water sequences blend live-action environments with the iconic, stylized animation of ‘SpongeBob;’ include a ghostly Flying Dutchman prologue and 2 scenes set in Santa Monica.
The latest installment in the long-running sci-fi franchise hits the streamer today, extending the ‘Predator’ universe and mythology with new characters, creatures, and deadly terrain.
2026 season themed ‘Capture the Original’ introduces expanded categories across Animation, Generative AI and Creator spaces.
Ahead of the hit live-action show’s March 10 return, the streamer has shared a video, images, and detailed a slate of global fan events supporting the second season debut.
‘Wicked: For Good,’ ‘Andor,’ ‘Avatar: Fire and Ash,’ and ‘Stranger Things’ also win at The Advanced Imaging Society celebration, often called the ‘Oscars for Geeks,’ held earlier this afternoon at the Beverly Hills Hotel.
Visual Effects Supervisor Ryan Tudhope produced 2,500 shots on Joseph Kosinski’s high-octane racing film, employing LiDAR-scanned track circuits, digitally re-skinned and augmented race cars, and tightly integrated practical photography to maintain realism at speed.
Studio delivers 192 shots, featuring exploding people, blood, guts, and lots of Radroaches, including 37 shots in Episode 101 and 39 in Episode 108, on the hit Prime Video sci-fi Western series.
Elizabeth Banks and Matthew Macfadyen star in new series about spouses reshaping their relationship after an unfortunate technological accident; streams April 9.
Steven Spielberg reunites with the team behind ‘Life on Our Planet’ and ILM to recreate prehistoric life, with big sharp pointy teeth, for the 4-part show; premieres March 6.
Godzilla, Kong, and unbeatable VFX are called upon once again to save humanity, this time to grapple with a newly uncovered monster that seems unstoppable – Titan X; new season debuts February 27 on Apple TV.
The VFX studio transformed scientific and historical data into meticulous visual reconstructions that trace humanity’s evolution in the 4-part BBC and PBS docuseries.
Set to end ‘render lag,’ middleware app integrates genAI and quantum computing directly into existing professional workflows, such as Universal Scene Description (USD), Houdini, Maya, and Unreal Engine.
The Oscar and BAFTA-winning Senior Animation Supervisor and Senior VFX Supervisor discuss their team’s groundbreaking animation and visual effects work, including the challenging Tsyong and Medusoid creatures, on the latest record-shattering ‘Avatar’ sequel, now in theaters.
The executive shuffle also includes Dana Walden, Co-Chairman of Disney Entertainment, being named President and Chief Creative Officer of The Walt Disney Company; both moves effective March 18.
